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People usually talk about Berlin, London, New York when discussing electronic music hotspots, and Paris doesn't always get its due. Case in point? It produced Jennifer Cardini, one of the most distinctive DJs to to ever come out of the city. (She's lived in Germany for a while, but the point stands.) Her sound lands somewhere between disco, house and EBM, rooted in a groovy, post-modern chug. You'll hear nu-disco, industrial, techno and electro too, usually built around big hooks. It's a sound that is not only instantly recognizable, but instantly likable. As a producer, Cardini also deserves her flowers. She's been putting out records since the mid-'90s, and with her first label Correspondant, she's built up a rock-solid catalogue from artists like Fort Romeau, Man Power, Cormac and more. More recently she started the Dischi Autunno imprint, a place for more crossover-friendly music that indulges Cardini's tastes for all things melodic (and maybe a little goth). Cardini's RA Podcast is a beautiful summary of all these ideas and influences. It's hard and banging, sure, but also lithe and athletic. There are plenty of tracks with the surge of EBM or the stab of industrial. Lots of reverb. Decadent melodies undergirded by tough drum patterns. And it's paced as expertly as you'd expect from someone who's been DJing for over 30 years. In the interview below, Cardini says she "loves how the young generation is digesting four decades of club / rave culture," and you can hear that history living and breathing in Cardini's DJing, too. @jennifercardini Read more at https://ra.co/podcast/870

We're not in the habit of quoting press materials all the time, but in Kajetan Łukomski's case, it feels appropriate. The first sentence of his bio is "Avtomat is a person with way too many interests." If you know any artists from Poland's wide-ranging, always-growing electronic music scene, chances are he's one of them. He's a DJ, producer, organizer and activist, once a member of the queer feminist collective Oramics, and is endlessly passionate about supporting, spreading and playing music from the Central European and Eastern European regions. With roots in metal, goth and electroclash, there's a certain spikiness to Łukomski's style, but also a polyglot knowledge and a hunger for new sounds. Lately he's been trying to mix club music with Polish folk traditions, which is the mission of Łukomski's RA Podcast, but it's also just the jumping off point. In these almost four hours of expert blending, genre-jumping and incredible pacing, Łukomski touches on almost every style of dance music you could think of, with aplomb and occasionally surprise (like that irresistible Bloc Party edit). If you can, it's worth digesting all in one sitting, so you can truly appreciate the ground he covers. @avtomatmusic Read more at https://ra.co/podcast/869

Before she was Femanyst, Akua Grant was called The Lady Blacktronika, also known as the First Lady Of Beatdown. Beatdown was a type of of ultra-deep house characterized by creamy chords, soulful melodies and, in Grant's case, honeyed vocals. She ran an integral label called Sound Black Recordings, home to some of her best tracks. But around 2017, she turned towards what was essentially the polar opposite: industrial-tinged super hard techno, full of distortion and anger. This is where we find Grant now, as Femanyst, with a mix that shows off heavy-duty techno that still has a heart. She started her own new label, called Dark Carousel, and has released on Paula Temple's Noise Manifesto. She manages to take some of the hardest techno around and imbue it with her signature melodic style. This is probably one of the toughest RA Podcasts yet, but it's also full of feeling, dynamism and tension. Get your best listening setup ready and sink in for two hours. @msladyblacktronika Read more at https://ra.co/podcast/868