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RA Podcast

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  • Folge vom 08.01.2023
    RA.866 Dam Swindle
    Roughly ten years ago—if we pretend the peak pandemic year-and-a-half doesn't count—Lars Dales and Maarten Smeets first came together as Detroit Swindle, before changing their name to Dam Swindle towards the end of 2020. The original name was meant as a tribute to one of their favorite musical legacies, but recognizing that it didn't come across how they meant it, the duo changed their name to pay homage to their other favourite place: Amsterdam. Dales and Smeets have become core parts of the Amsterdam house scene in their time, especially with their excellent Heist Recordings label, which they started back in 2013 (hey, now *that's* literally ten years ago). It's easy to understand why the duo have become so popular. In person and onstage, they're goofy, funny guys, the kind of people you might describe as the life of the party. And musically, they're massively appealing, marrying a European tech house strut to deeper and more soulful inspirations, a preoccupation reflected in Heist's impressive artist roster: Ge-Ology, Demuir, Byron The Aquarius, Matthew Herbert and more. Their RA Podcast comes at a time of reflection and change, looking back on the decade-plus history of both act and label and plotting their new album, which they say will expand their horizons even more. The mix is eclectic but smooth, pulling together tracks from the likes of Omar-S, Lil Silva, Ruf Dug and Genius Of Time (with one of last year's most underrated tracks). It's always a treat to hear consummate club DJs in a more relaxed mode, and this one's no exception. @damswindle Read more at https://ra.co/podcast/866
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  • Folge vom 01.01.2023
    RA.865 Anetha
    When it comes to the sound of modern-day techno—fast, melodic and polyglot, working in genres like trance and gabber—it's hard to find an artist more clearly representative than Anetha. The French DJ encompasses all these influences with style, landing on a lithe sound that's both heavy and nimble, earning her a first residency at Paris party Blocaus (and, currently, Awakenings and Fuse, among others) and appearances on labels like Work Them and Oaks. What really sets Anetha apart, though, is her commitment to developing and uplifting the artists around her. She launched her own label, Mama Told Ya, in 2019 with a unique and heartwarming concept: each release would highlight an artist, often young or new to the game, and feature one collaboration with Anetha herself. It's a move that turns the usual label-artist dynamic on its head, making each new record a fully-fledged collaboration, and lending her own gravitas to the artist she features. And a year later she started an agency—or what she calls a "creative engine"—to help those artists in a more holistic way. Her RA Podcast is a perfect way to start 2023: with energy and verve, and a perfect balance of light and dark. This is techno at its most creative, dark and discombobulated beats cut through with glowing vocal samples from some of the most recognizable songs of the past five years. If you wanted to explain to someone what techno sounds like in 2023, you'd do well to start here. @anethamusic Read more at https://ra.co/podcast/865
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  • Folge vom 25.12.2022
    RA.864 Skee Mask
    Skee Mask is one of dance music's greatest crossover stories of the past decade, with new albums greeted with the attention usually reserved for an Aphex Twin or a Caribou. ("Loved seeing this on r/indieheads," said one Reddit user, on the release of the 2021 LP Pool.) It's not hard to understand why: albums like Compro, he blends well-worn dance music tropes with incredible, detailed soundscapes and spine-tingling melodies. And on his 12-inches, he brings that sensibility to the dance floor, with an approach probably best described as articulate. Even on his most ambient of tracks, everything is in its right place. Along with founders the Zenker Brothers, his music outlines everything that makes Munich outfit Ilian Tape one of the best techno labels going. On the decks, it's kind of a different story. It might surprise you if you only know his albums, but Skee Mask is an incredible DJ, balancing his predilection for hip-hop and UK-informed sounds with laser-focused techno. He can adapt to all sorts of situations—there's an incredible recording of him DJing with four of the best grime and drum & bass MCs in the business—and on his RA Podcast he focuses on the techno side of things, with nearly two hours of pacey techno and creative mixing, with dips into acid, electro, garage and more. It's a party-starting mix from a genuine star, perfect for getting through the holiday doldrums or pre-gaming your NYE plans. Like Skee Mask's best records, it's something to enjoy in any number of settings. @skeemask-music Read more at https://ra.co/podcast/864
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  • Folge vom 18.12.2022
    RA.863 Earth Trax
    You might have first heard of Earth Trax under his original alias, The Phantom. Or maybe his given name, Bartosz Kruczyński, which he uses for gorgeous ambient music. Or Pejzaż, where he cuts up Polish records from his vast collection. Or as part of Ptaki, another sample-based project he did with fellow Warsaw resident Jaromir Kamiński. You get the idea—dude makes a lot of music. And a lot of it is very good. Earth Trax is the project that really made us swoon, with a soft-focus, sunset-hued meld of techno, breakbeat, progressive house and trance. On wonderful records like LP1, melancholy is the operative word, but Kruczyński isn't exactly a sadsack. It's more complex than that, nailing the tears-on-the-dance-floor vibe with the part that many people forget: it's still club music. That's why tracks like "Dream Pop," which kicks off this mix, are so successful—they're heavy but never weighed down by emotion, with a skip in their step and a robust low-end to go with the sighing vocals. Kruczyński's RA Podcast is something of an excavation of this sound, using his own tracks and those of like-minded producers to sketch out a style that's equal parts rousing and pensive, midtempo but still propulsive. Over two and a half hours he lets these tracks breathe and leisurely mixes them together, almost like an old-school progressive house double mix CD but in the more vibrant, varied clothes of today—before it starts to unravel into an extended, beatless outro that's worth sticking all the way until the end for. @earthtraxonline Read more at https://ra.co/podcast/863
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