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RA Podcast

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Folgen von RA Podcast

500 Folgen
  • Folge vom 23.08.2026
    RA.1053 Public Service
    New York summertime in all of its glory. New York City has had an epic few months. From clinching a milestone NBA Championship title, to Mayor Mamdani rolling out affordable housing and fixing potholes, to World Cup fever, the summer of 2026 has (for the most part) been a rush of pure elation for residents. Soundtracking it all is Public Service. Even if there's no special occasion, the atmosphere is always electric. Multiple dance cyphers form; musicians bring instruments to jam; free pizza is distributed; informal marketplaces emerge in the back. Public Service is a living tapestry of block party culture, serving as a reminder that church-like communal joy doesn't need four walls or a roof. Toribio and Perez man the decks each time, dishing out heaters across Afro house, dembow, cumbia, electro, hip-hop and techno. It might be the city's only DIY party where you can hear Jackmaster, Kendrick Lamar and Willie Colón in a single hour or see kids, aunties and grandfathers in the crowd. RA.1053 is a recording of this year's season opener in May—its vibrant blends and carnival-like mood will likely have more than a few listeners planning trips to experience the magic. Taking place in Brooklyn parks during the summer and clubs during cold weather, the party has also held editions in Detroit, Miami and Montréal. Sound is powered by hot pink speaker stacks, decorated with flower garlands, courtesy of Karlala Soundsystem whose founder Karl Scholz regularly provides rentals for free or at a sliding scale to cultural organisers. A true labour of love, the gathering relies on donations to fund operating costs and city permits. Based on the ever-expanding number of regulars, fuelled by word-of-mouth recommendations, it's only a matter of time before Public Service becomes a global phenomenon. Find the tracklist and Q&A at ra.co/podcast/1072 @publicservicenyc @mickeyperez @toribiomusic
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  • Folge vom 17.08.2026
    RA.1052 The Bug
    The titan of UK bass delivers a head trip through dub's past, present and future, one year on from RA.1000.Time has a way of slipping through the fingers. A year ago, RA.1000 marked the 1,000th release in the RA Mix series. Now, 52 weeks on, we've arrived at RA.1052—and first up is Kevin Richard Martin, AKA The Bug, finally making his long-awaited debut on the series. Ask anyone who's stood within earshot of a soundsystem he's operating: Martin doesn't so much make music as engineer entire weather systems. His music demands total immersion, from the earthquake-like bass weight of anthems like "Skeng" and "Poison Dart" to the post-apocalyptic pull of his slower steppers. As he told RBMA in 2018: "The more music becomes relegated to a cheap accessory, the less people will realise there's great magic in music as a form." For his RA Mix debut, Martin delivers "nocturnal dives into the city with memories of Blade Runner on repeat." A tribute to PRESSURE, his Berlin night, RA.1052 runs through Porter Ricks, Dillinja and Tikiman, charting dub's kaleidoscopic range — from Basic Channel's minimalism to K Wata's sleek bass science. A year ago, RA.1000 looked back on two decades since 2006. RA.1052 picks up the torch and keeps walking. See you here again next year. Find the tracklist and Q&A at ra.co/podcast/1071 @thebugofficial
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  • Folge vom 09.08.2026
    RA.1051 Mietze Conte
    An antidote to the summertime banger, with an hour of breezy ambient from the Vienna artist. When we picture the summertime banger, we picture high energy. But with record-breaking heatwaves from South Korea to the South of France, a different soundtrack makes sense. Cue RA.1051. Across an hour of woozy lo-fi electronics—many his own productions—Mietze Conte offers the alternative, inspired, as he puts it below, by "the fresh cool cleansing breeze" after a storm. At his most energetic, the Vienna artist appeals to fans of Live From Earth or 1tbsp—eurodance meets hyperpop with a DIY smirk. At his most contemplative, he drifts toward the ambient reverie of Otto Benson and Dylan Henner. What ties it together is playfulness: songs under two minutes, hand-drawn covers, music that's deeply serious and deeply unserious at once. Here he goes wide without raising the temperature, from Green-House to Nala Sinephro to Terekke's dub-hazed loops. Step into his world and find some much-needed shade. Find the tracklist and Q&A at ra.co/podcast/1070
 @mietzeconte
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  • Folge vom 02.08.2026
    RA.1050 O Ghettão
    The Príncipe all stars transmit the future sound of batida, live from Waking Life. In theory, a supergroup should be a carefree yet thrilling assembly of well-known talents, bound to multiply each other's creative output. But in practice, bringing out the best in every artist on stage, especially for electronic musicians, most of whom are used to working solo, is not an exact science. O Ghettão—the powerhouse trio of DJ Niggafox, DJ Danifox and Firmeza, all associated with Lisbon's Príncipe record label—however, prove it can live up to it's promise. Armed with a handful of small drum machines, hand-sized controllers, and laptops packed with drum kits, the three are one the most exhilarating live acts in the underground. About 20 minutes into RA.1050, amid an intoxicating polyrhythmic hoodoo, a commanding voice sneaks in the repeated phrase in over wistful, semba-laced chords. "Each one dances as they like," claims the MC in Portuguese, and few phrases could be more evocative of the O Ghettão sound. The wonder team came together at the latest Waking Life in Portugal and recorded another woozy, freeform live PA—a gargantuan patchwork ranging from outlandish batida to slapping acid house. RA.1050 is also an indisputable sign of how vivid the batida scene, one they all forged, has truly become. Príncipe Records, founded in 2011, has spurred the birth of artists and imprints, like Nídia and Tia Maria Produções, while also fueling a new, welcoming spirit in Lisbon's nightlife, from Rua Rosa to clubs like Lux Frágil. Following a path paved by acts such as Underground Resistance, O Ghettão can indeed be tagged as an electronic music group. More than that, however, they're an impressive showcase of the intense renewal of sonic palettes crossed by Afro-diasporic idioms on the dance floor. Read more at ra.co/podcast/1069
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