RA Podcast Folgen

90 minutes of blissful, sun-soaked house from the essential UK producer duo. For a certain type of DJ, a record from The Trip is a buy-on-sight proposition. Even if the name is new, you’ve likely heard their tracks in sets from Job Jobse, Shanti Celeste or Avalon Emerson. With a catalogue full of records equally at home at Pitch Music & Arts or fabric Room 2, Oliver Hiam and Max van Dijk have locked into a particular sweet spot: big, emotional dance music with enough drive to snap a festival crowd into focus, while still carrying the nuance and emotional pull of the best ’90s club records. The key to this is decidedly old-fashion: clocking hours on the dance floor. Long before they became a hot-shot producer duo, Hiam and van Dijk were promoters first. For more than a decade, they hosted parties at Corsica Studios under the Tessellate banner, bringing artists like DJ Sprinkles, Mr. Ties and Octo Octa to London. Think of RA.1038 as a marker for the start of summer: packed with bongo drums, piano breakdowns, and the occasional surprise (at one point, you might even hear what sounds like a dolphin sample). It hits that sweet spot for outdoor dancing: light, playful and just euphoric enough. As they note in their Q&A, it traces a line through the deeper corners of their taste, ducking pure peak-time pressure to show off a real feel for tension and release—honed over years of reading the floor from both sides of the booth. Read the Q&A at ra.co/podcast/1057 @tessellatelondon

The emergent star of the Belgian underground delivers 80 minutes of spectral techno, electro and leftfield obscurities. Lola Haro has clubbing in her DNA. The Brussels-based DJ grew up around electronic music, with parents who were regulars at Antwerp’s Café d’Anvers and a childhood shaped by record stores and a household soundtracked by Villalobos mixes. Since emerging in the late 2010s, she’s become a key figure in the Belgian underground, moving within a loose network of “diggers” exploring the deeper corners of electro, techno and house. That sensibility comes through clearly on RA.1037, where Haro drifts through spectral techno, electro and leftfield club obscurities. The mix unfolds like a fever dream: spacious grooves give way to uneasy bass pressure and jagged, alien rhythms, before slipping back into murky, immersive flow. Rather than genre, mood binds the set—slow, creeping tension and a sense of something always on the verge of collapse. Drawing on a recent warehouse set in Melbourne, it’s a study in subtle control, with blends so seamless the seams all but disappear. In the final stretch, arpeggios spill over like acid rain, dissolving any sense of solid ground. Find the Q&A at ra.co/podcast/1056 @lola-haro

A rare snapshot of house music's early days, captured through an unheard 1986 broadcast from the East Coast pioneer. For Humphries' long overdue debut on the RA Mix series, we publish an original, unedited radio recording from 1986, during Humphries' glorious reign over KISS FM's airwaves at the right hand of Shep Pettibone. Drawn from Humphries' own archives, the Running Back-sanctioned release captures the breadth of his reach at a time when he was breaking records week in, week out—bridging New Jersey talent, European imports and the emerging Chicago sound in a single sweep. Every Friday and Saturday night, for over a decade, Tony Humphries checked in to Kiss FM, bringing the club to the airwaves. Alongside a residency at New Jersey's answer to Paradise Garage, Club Zanzibar, Humphries helped define the sound of garage house on the New York–New Jersey axis. Like Larry Levan, you simply can’t think of the city’s scene without him. The hour-long mix shivers with spectral vocals and solar-plexus grooves alike, a document of Humphries knack for acting as a conduit for various funk-forward tributaries the world over. A mastermix, indeed. Find the Q&A at ra.co/podcast/1055 @tony-humphries