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RA Podcast

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  • Folge vom 20.09.2026
    RA.1057 Marina Herlop
    An hour of ancient and alien sounds from the Catalan composer and PAN favourite. Marina Herlop is at once from the future and from the past. The classically trained Catalan singer's voice opens a door onto an older world—a nymph out of a Romantic painting. Underneath, something deeply alien. "When you're writing a song… there's a moment of expulsion, like a squid spitting," she told Pitchfork. She didn't open a laptop until her third album, learning Ableton from scratch over a fortnight in her father's family home in the Aragon hills. That record, Pripyat, and its follow-up Nekkuja landed on PAN, placing her among the experimental queens like Eartheater and Jenny Hval—with a touch of Björk. Her RA Mix brings those influences to the surface: classical with a whiff of the strange (Holst's Rig Veda hymns, Sakamoto playing Ravel), music for worlds that don't exist (Ragnarok Online, Jujutsu Kaisen, Morricone) and a study in everything a voice can be made into. Barely any is club music. Assembled in Ableton—"I don't have access to a CDJ right now," she says—RA.1057 is a soundtrack for decompression. Asked which club shaped her most, she named one that isn't: El Pumarejo, the Barcelona space where she met the musicians still in her band. Find the Q&A and tracklist at ra.co/podcast/1076 @marinaherlopofficial
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  • Folge vom 14.09.2026
    RA.1056 Jasmín
    One of the Netherlands' sharpest selectors turns in over two hours of smoke-thick techno and cathartic bass weight. "Genre-defying" has trailed Jasmín Hoek, best known as Jasmín, for years. It isn't wrong—listen to the Dutch-Argentinian artist's mixes and you'll hear anything from Rrose and Blawan to Ricardo Villalobos and DJ Koze. But it misses a better question: what holds it all together? "For every set I play, I think of the colours I want to represent," Hoek explains in her Q&A. For RA.1056, she channels warm, earthy colours; you'll see it running through the tracklist, from "Burning Blood" and "Eruption" to "Chamas E Fumaça." The other constant is percussion over melody. Half Argentinian, Hoek has spoken about her preference for rhythm, and it gives her work a physicality you can almost walk into. It's there from the first minute: Pinch and Shackleton's "Burning Blood," dark and twisted and sprawling. But Hoek is a techno head too, with plenty that wouldn't feel out of place at Berghain: Cari Lekebusch, Rene Wise, Rrose. It's a cliché that the best DJs are dancers first, but Hoek embodies it, having worked at De School and, more recently, programming with Nachtparlement. Last year's Bite The Hand That Feeds You arrived as Hessle Audio's 50th release; this year she lands on fabric Originals. Whatever floor she graces next, she'll arrive with a vision that will take you by the hand, and pull you all the way in. Find the Q&A and tracklist at ra.co/podcast/1075 @Jasminhoek @fabric @hessleaudio
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  • Folge vom 06.09.2026
    RA.1055 Grace Dahl
    Supersized techno, from the Vault Sessions darling. If you're part of the post-2020 cohort of techno heads, odds are you've heard of Grace Dahl. The Amsterdam native has become ubiquitous the past few years, via her DJing, productions and her label, Serial Disc Touchers. Her techno is energetic, embracing and big without sacrificing complexity or detail. This wasn't overnight, though: born in Hungary to seasoned ravers, Dahl started playing out at 18 and landed a residency at Vault Sessions and regular Berghain appearances soon after. Serial Disc Touchers, Vol. 1, a collaborative EP with Alec Dienarr, moves from ropey tech house to peaktime anthems and after hours acid, held together by her balance of floor functionality and emotional finesse. Dahl brings the same MO to her RA Mix. Starting with a melancholic selection of dubbed-out techno, she waits until the 20-minute mark to get things funky. From there, RA.1055 is all party: bleep techno ready for a carnival, outrageous 303 work and a hint of vintage UK rave, with a tracklist spanning VNTM and Villa to Luke Slater, Underworld and Ian Axide. Big-room techno done right—careful and considerate in selection but ready to blast your boots off. Find the tracklist and Q&A at ra.co/podcast/1074 @gracedahl @vault-sessions-collective
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  • Folge vom 30.08.2026
    RA.1054 SW.
    90 minutes of trip-hop and electronica, as the elusive SUED founder walks down memory lane. Everything is cyclical. Stick around long enough and what was new and thrilling, then gauche, comes back around, rediscovered by a generation seeing it with fresh eyes. The trip-hop revival of the 2020s is a neat example. But what does it sound like coming from someone who was there the first time? SW., AKA Stefan Wust, has an answer. The producer co-founded SUED in 2011 with SVN, a label whose hypnotic, stripped-back records arrived untitled and unannounced, and disappeared from Hard Wax just as quietly. For his RA Mix, he reaches back to those formative years, digging through trip-hop, breakbeat and electronica. Famously elusive, he explains in a rare Q&A below that the mix isn't a historical reconstruction but "an attempt to bring that memory back to life through my perspective today." Built from loops, delay and hard cuts, RA.1054 reassembles the music of his youth rather than filing it away. His Reminder series did the same for Detroit and Chicago; this goes somewhere he never has, to the trip-hop and downtempo end of the same decade. An excerpt of Rachmaninov's Liturgy of St John Chrysostom sets church-like choral vocals against decaying electronics from Twine and Gridlock, and of course it wouldn't be trip-hop without Tricky. Find the tracklist and Q&A at ra.co/podcast/1073
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