Seven hours of camp, chug and genre-hopping hedonism from techno's two princes of darkness, recorded live at Kyiv's ∄.
Hear the names Hayden Payne, aka Phase Fatale, and Pablo Bozzi, and it might conjure visions of dark techno. As Berghain and KHIDI residents, both artists are synonymous with the heavier strands of misfit dance music.
But Soft Crash, their lockdown-born joint venture, offers something different: making the world's darkest dance floors fun again. RA.1042 is a crash course through the campier ends of the spectrum, pulling from Italo, disco, and house for a mix full of vocals, ascending chords, and bouncy arpeggios.
Clocking in at a gargantuan seven-hour runtime, the mix perfectly balances both of their styles without the energy ever dipping. Swinging for the fences with chuggy, oddball bangers and trance euphoria, the duo weaves tracks from Steffi and Virginia, Goldfrapp, and Junior Jack, alongside climactic Easter eggs from Moby, Madonna, and Underworld. It's the sound of a party you never want to end.
Read the Q&A at ra.co/podcast/1061
Folgen von RA Podcast
500 Folgen
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Folge vom 07.06.2026RA.1042 Soft Crash
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Folge vom 31.05.2026RA.1041 ChlärEntirely unreleased, undeniably funky techno. Charles Accarisi, AKA Chlär, treats techno like a science. From his earliest days as an audio engineer, the Lisbon-via-Switzerland artist has approached techno with the precision of a seasoned experimentalist, dissecting our love of listening to kick drums in dark, sweaty clubs down to its very bones. Before launching his label, Primal Instinct, in 2023, he dug deep, building its foundation on neuroscience studies exploring syncopation and bass frequencies. Yet, for all its academic rigor, Accarisi's music remains incredibly funky. You can hear this endless pursuit of groove in his DJ sets. His productions flit across the techno continuum with similar versatility. One minute, as half of Funk Assault, he's flipping a Beastie Boys vocal into a 140-BPM weapon; the next, he aims straight for the head, trading peak-time bacchanalia for the haunted hypnotism of the afterhours. RA 1041 is all of this and more. Composed entirely of unreleased tracks, it delivers 70 minutes of heads-down techno in its purest form. It's heavy and dark, for sure, but undeniably swung, seamlessly bridging dub techno and sweat-inducing hardgroove throwbacks. This is contemporary techno synthesized by a master chemist. Read the Q&A at ra.co/podcast/1060 @chlaer @primalinstinctrecords
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Folge vom 25.05.2026RA.1040 ClementaumThe São Paulo-based artist tears through baile funk, ballroom, Latin club and techno in a turbo-charged showcase of global club music's cutting edge. Take one look at Clementaum behind the decks and she seems less like a DJ than a force of nature. Dressed to the nines and usually keeping time with a fan, she mixes impossibly chaotic drum patterns that ricochet from baile funk to ballroom, Baltimore club to kuduro. Her sets are packed with her own productions—deliciously chaotic collisions of two decades of Latin American club music, shaken hard with EDM and techno. Raised in Curitiba, Clementaum entered nightlife as a hostess before stepping behind the decks and beginning to produce in 2018. A Rinse FM residency followed in 2023, her first European tour in 2024 and now, fresh off her debut Oceania run, she has her sights set on the rest of the globe. RA.1040 is a turbo-charged introduction to Clementaum's sonic world. Loaded with unreleased tracks from herself as well as other rising figures in the Brazilian underground, it captures the bleeding edge of global club music: ecstatic horn lines, flubber-bounce kick drums, freewheeling vocal samples, stadium-sized breakdowns, video game arpeggios and basslines that seem to rearrange space-time itself. It's possible you haven't heard a Clementaum set before, but it's impossible to forget one when you have. Find the tracklist and Q&A at ra.co/podcast/1059 @clementaum
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Folge vom 17.05.2026RA.1039 K WataSleek, sensual bass science from the NYC SLINK boss, sketching a new blueprint for dub in the 2020s. Kenzo Perron, AKA K Wata, uses bass the way a poet uses punctuation. Sub weight, subtle wobbles and snaking rhythms become commas, dashes and periods—tiny gestures that shape movement, tension and release. Perron's sound sits somewhere between the cavernous minimalism of Rhythm & Sound and the wiry precision of Livity Sound, pulling equally from sound system culture, contemporary minimalism and East Coast club music. His breakthrough 2021 EP, What Do U Wan, sounds like the photo negatives of a Fade to Mind record redesigned for sunrise at Sustain-Release (not to mention his work with Daytimers affiliate Enayet as E-Wata). More broadly, Perron belongs to a a growing American underground reshaping dub techno and bass music in adventurous ways. What sets his music apart, however, is the way it balances delicacy with kineticism and, as his RA Mix makes clear, a touch of sexiness and intimacy too. RA.1039 draws from that very sonic palette. RA.1039 is mainly composed of contemporary dub tracks released in the past decade (with a few choice exceptions). One minute we're wigging out to the krautrock-meets-Black Ark Studio of Eiger Drums Propaganda, the next we're slinking to the hi-fi club of Significant Other. In Perron's hand they melt into a molten liquid of sexy, sleek, bass science. Find the tracklist and read the Q&A at ra.co/podcast/1058 @kwatakwata