The opening to a story, especially a long series, requires a dance. How much do you give away? How much do you hold on to? On this episode of the Sound School Podcast, I offer two examples: one that didn't hook me because it gave away too much, another that made me eager to hear the whole story. Find out what I think works and what doesn't.
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The Backstory to Great Audio Storytelling, hosted by Rob Rosenthal, for Transom and PRX.
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381 Folgen
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Folge vom 08.11.2022Story Dissection: When the Lede Gives It All Away
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Folge vom 25.10.2022We Need More Words To Describe Audio StoriesWhen you limit language, you limit thinking. When you limit thinking, you limit creativity. When you limit creativity, audio storytellers wind up making the same thing over and over and over again and that's not good. That's why producer James T. Green says we need new language to describe our work. And we can start by borrowing from art and architecture.
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Folge vom 11.10.2022Hand Over the Cash?Reporter David Weinberg knows the rule: don't pay sources. For fifteen years, he never did – until he reported on Phoenix Jones for the podcast “The Superhero Complex.” What impact did that have on his reporting? David lays it out.
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Folge vom 27.09.2022Getting Honest —The Editor, Producer RelationshipTypically, what happens between an editor and a producer is private. In this archive episode of the Sound School Podcast from 2014, editor Viki Merrick and producer Will Coley offer listeners a gift taking us behind the scenes for the production of Will's first-person documentary "Southern Flight 242: Bringing My Father Home." As Viki put it, she had to coach Will through "the emotional ditch" to fully tell the story.