Robyn Weintraub is a leading crossword designer who writes clues and fills in cells for the New York Times, famous for its challenging daily puzzles. She also creates for the New Yorker, People Magazine and the American Crossword Puzzle Tournament. Robyn is known for her distinct style, and keen readers recognise a “Robyn Puzzle” from the quotes and sayings she uses as hints. Tara Gadomski follows Robyn over three intense days as she constructs a new crossword puzzle from blank page to completed grid. We get a glimpse of her long word lists and her daily puzzle-writing routine, and experience Robyn’s final verification - by pencil and paper - to make sure the puzzle is satisfying for the millions of people who will try to solve it then we discover whether Robyn’s puzzle has been accepted for publication by the New York Times
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The Documentary Podcast Folgen
Hear the voices at the heart of global stories. Where curious minds can uncover hidden truths and make sense of the world. The best of documentary storytelling from the BBC World Service. From conflict in the Middle East to the advance of AI, to the front line of the climate emergency, we go beyond the headlines. Each week we dive into the minds of the world’s most creative people, take personal journeys into spirituality and connect people from across the globe to share how news stories are shaping their lives.
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2000 Folgen
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Folge vom 04.09.2023In the Studio: Robyn Weintraub
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Folge vom 02.09.2023BBC OS Conversations: American votersThe US elections for the next president are not until November 2024, but the campaigning for votes is underway. And it’s two familiar faces who seem to be the ones to beat. Host Lukwesa Barak hears from Democrats and Republicans across the country about what they make of their choices, and also from those who feel that neither party represents them.
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Folge vom 01.09.2023Heart and Soul: My sex work and my faithAaliyah grew up a devout Muslim but now makes adult content for the online service OnlyFans. She’s often pictured wearing a hijab. Aaliyah is her stage name. She’s had death threats but believes that expressing her sexuality and making her own choices about her body are empowering. She has also had support from young Muslim women and couples. She was brought up in the UK as a Muslim and began to question her faith at the age of 12, when her parents got divorced. She says, “My work now is definitely a rebellion against my upbringing. I’m tired of being told how women should be”. Aaliyah still describes herself as Muslim, and feels that her sex work is more important than the version of Islam she grew up with.Can you be a sex worker and still follow your faith? Sex work has always challenged religion. Although it’s broadly considered immoral within Christianity, Islam and Judaism, sacred texts carry some mixed messages. Women sex workers often see male religious leaders condemning them in public, whilst buying their services in private.In Bangalore in India, women at a sex workers cooperative think religion is compatible with their work. One Christian, who’s a mother and wife, says her family don’t know how she makes her living. “I can talk to God about it when I can’t talk to my husband”. In Nigeria, a Muslim sex worker we’re calling Zara operates in an area where sex work is illegal and dangerous. But she draws strength from her faith. “I know what God says about selling sex, that it’s against the religion but he understands that I have to do it.”
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Folge vom 31.08.2023Singing Morocco's new identityGnawa music is a Moroccan spiritual musical tradition developed by descendants of enslaved people from Sub-Saharan Africa. It combines ritual poetry with traditional music and dance, and is traditionally only performed by men. But one female Moroccan artist, Asmâa Hamzaoui, has broken the mould. She's become an international star, who has even performed for Madonna on her birthday. For Assignment, reporter Myriam Francois travels to Casablanca to meet Asmaa and her family, and follows her to the Essaouira Festival, the annual celebration of Gnawa culture.What does its ever-growing popularity tell us about the changing identity of a country that once saw itself primarily as part of the Arab world, but has now become more interested in its links to the rest of the African continent?Presented by Myriam Francois Produced by Tim Whewell Series editor Penny Murphy(Image: Asmâa Hamzaoui. Credit: BBC/Myriam Francois)