The Documentary Podcast Folgen

In November 2024, six people died after visiting a bar in Vang Vieng, Laos. Authorities in the country said it was a suspected mass poisoning - the culprit, methanol. It made headlines around the world, but it was not an isolated incident. It is happening across South East Asia, Central America and the Middle East, often in countries where drinking alcohol is frowned upon, taboo, or even illegal. Matthew Hill investigates a devastating story of a rising death-toll, and travels to Bangladesh to meet the people on the ground urgently working to treat those affected.

Daily protests across the country have continued in Georgia since disputed elections in October, particularly since the ruling Georgian Dream party announced it would suspend discussions about joining the EU. Outside election observers identified a number of shortcomings and violations in the voting process. Critics of Georgian Dream say it is cosying up to Moscow and using underhand and increasingly authoritarian tactics, mimicking Russia, to stay in power. New laws against protesting have been introduced by the government and the number of arrests of protestors, opposition political figures and journalists has been rising. Some are asking is this a piece-by-piece dismantling of Georgia’s democracy? And how, with little sign of the government backing down, can the protests be maintained?

Artists Himali Singh Soin and David Soin Tappeser explore the complex weave of histories and myths around Britain’s imperial salt monopoly in India. Paul Waters joins them as they create an open-air installation at the Somerset House gallery in London, paired with a poignant indoor exhibition occupying spaces formerly used to administer Britain’s colonial-era salt tax. The 80 metre long fabric installation is to replicate the Inland Customs Line, a monumental 2,500 mile long hedge across India, created by Britain in the 1800s, to enforce salt taxation. This reinterpretation draws on cotton printed with botanical dyes from the hedge's original plants, to highlight the human and ecological cost of colonial extraction. Himali and David aren’t just creating one exhibition in one location. They are also creating a parallel installation further along the river Thames, at the Tate Britain art gallery and we’ll be following them as they work across both sites.