This Cultural Life Folgen

Filmmaker Yorgos Lanthimos first emerged as part the so-called ‘weird wave’ of Greek cinema, and is known for unsettling themes and absurdist humour of his films. He made his mark internationally in 2009 with Dogtooth, which won a Cannes film festival prize and was nominated for an Oscar. Shifting into English language cinema with The Lobster, starring Colin Farrell and Olivia Colman, he continued to win awards and acclaim with The Killing Of A Sacred Deer and his historical comedy drama The Favourite. His most recent film Poor Things, starring Emma Stone, has been nominated for eleven Academy awards, including best film and best director.Yorgos Lanthimos tells John Wilson about his upbringing in Athens, the son of a professional basketball player who was part of the Greek national team, and how, after graduating from film school, he began making commercials and pop videos. He reveals why the work of the American photographer Diane Arbus, renowned for the underlying psychological tension of her portraits, was a major inspiration on the mood of his films. He also cites the influences of the German choreographer Pina Bausch on visual elements in his films, including dance routines seen in The Favourite and Poor Things. The plays of the British writer Sarah Kane, including Blasted and Crave, were also influential on the tone of his darkly humorous films. Producer: Edwina PitmanDiane Arbus' quote is from the documentary film Going Where I've Never Been: The Photography of Diane Arbus (1972), voiced by Mariclare Costello.

French actor Juliette Binoche is known for her portrayal of emotionally complex characters. Over a forty year career, her films have included Three Colours Blue, Les Amants de Pont Neuf, Chocolat, and The English Patient, for which she won her Academy Award. Her most recent film is The Taste of Things, a French drama about a cook and the gourmet she works for, in which she stars opposite Benoît Magimel.Juliette Binoche talks to John Wilson about an early moment of revelation, watching Peter Brookes' production of Alfred Jarry's play Ubu Roi at in Paris in 1977, which first made her realise she wanted to act. She explains the influence of her acting coach Véra Gregh, who helped her to understand the difference between "acting" and "being". She also recalls her experiences working with some of the most acclaimed film directors; Jean-Luc Godard on Hail Mary; Leos Carax on Les Amants du Pont-Neuf; Krzysztof Kieślowski on Three Colours: Blue; and Anthony Minghella on The English Patient.Producer: Edwina Pitman

A rare interview with Frank Auerbach, one of the world’s greatest living painters. At 92 years old, he has been painting for over 70 years and still works every day. A child refugee from Nazi Germany whose parents were killed in Auschwitz, he made his name alongside his friends and fellow painters Francis Bacon, Lucian Freud and Leon Kossoff in the 1950s. He’s well known for the thick layers of the paint used to create his portraits and images of the streets around the studio in Camden Town where he has worked since 1954.Frank Auerbach talks to John Wilson about his fragmentary memories of his early childhood in pre-war Berlin and his education at the boarding school Bunce Court in Kent, where he arrived aged 7. He recalls the huge impression that a black and white reproduction in a children's encyclopaedia of Turner's The Fighting Temeraire made on him as a boy, making him want to "do better and be less superficial". Auerbach also discusses the influence on him of the artist David Bomberg who taught him at London's Borough Polytechnic, and his friend and fellow student Leon Kossoff. He also talks about his friendships with Francis Bacon and Lucian Freud and why he still paints and draws in his studio seven days a week.Producer: Edwina Pitman