As part of our celebration of 21 years of club culture, we're featuring some of our favourite DJs from around the world, highlighting the parties and clubs most important to their lives in dance music.
The Loft is one of the most storied and sacred spaces in dance music history. Founded in Manhattan in 1970 by the late David Mancuso, The Loft was a party unlike any other: relaxed and gently psychedelic, with pristine audiophile sound played at a medium volume level kinder to the ears. You didn't need to blast the music to appreciate the sonic perfection of the music and the system it was played on. Over the decades, Mancuso invented his own influential style of DJing, letting the records breathe rather than mashing them together. Mancuso, who died in 2016, had many acolytes over the years, perhaps none more prominent than Colleen 'Cosmo' Murphy, who provides our final 2122 birthday RA Podcast: a tribute to The Loft.
Murphy has an impressive resume without The Loft: she's a long-time radio DJ, founded the Classic Album Sundays series and started her own Lucky Cloud Loft Party in London, in collaboration with Mancuso. Her DJing style, slow, steady and respectful of the music, channels those years spent at The Loft, and her RA Podcast embodies the disco-influenced sounds that define the party, played with care, love and reverence.
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Folge vom 21.11.2022RA.859 Colleen 'Cosmo' Murphy
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Folge vom 14.11.2022RA.858 DJ VoicesAs part of RA2122, our ongoing celebration of 21 years of club culture, we'll be featuring some of our favourite DJs from around the world, highlighting the parties or clubs most important to their lives in dance music. DJ Voices will be playing our RA2122 party in New York this Saturday, November 29th. DJ Voices is a prime example of an artist that really can do it all. The New York-based artist, originally from Florida, has been an integral part of New York's electronic music as a DJ and as a booker at one of the city's best venues, Nowadays. Voices got her footing as a selector as a founding member of the DJ collective Working Women, but these days she performs solo through her Nowadays residency and her radio show on The Lot, Nothing In Moderation. Her sets are known for their psychedelic dynamism—her selection, with which she prioritizes "energy and drama over genre," often flits from rolling low-end music, uptempo tracks (that she then slows all the way down) and wonky leftfield beats. "It would be hard to overstate how much Nowadays is part of my story at this point, personally and professionally," Voices told RA in the following interview. Her approach to assembling this mix she recorded for us makes that abundantly clear. The mix she recorded for RA—which sprawls out over almost three hours—features tracks that she has either played in her five-year tenure at Nowadays or that she plans to play there in the future. She organized the set in a similar way to the way she goes about her Nowadays sets. She kicks off with fast and nimble bass music ("I like to start fast in hopes of people dancing half-time"), then transitions into a knotty web of dubstep and bright percussive tracks and closes with weightless jungle. The playlist she sourced from to create this mix featured music from every Nowadays resident. It's this same thoughtfulness and meticulous attention to detail that has made her a household name in her local scene.
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Folge vom 07.11.2022RA.857 Marie DavidsonFor our RA2122 series, we've been focusing on dyed-in-the-wool DJs paying tribute to the places that were most important to them. But what if you're an electronic music superstar and you didn't necessarily get your musical education in a club? That's how we come to Marie Davidson, a Canadian artist who counts among the world's most engaging and electrifying live performers, mixing techno with electroclash and post-punk for a sound that feels familiar but totally new at the same time. In 2019, she announced she was retiring from live club music, and then formed a band with fellow Montreal scenesters. But on her RA Podcast, she returns to dance music with a cannonball-sized splash. To hear her tell it, Davidson only became interested in DJing recently—she's only been doing it for a few months. It's a new way for her to explore club music and also pay tribute to the artists she loves, without putting her whole self out there in the same way required of live performances. But you could never tell that Davidson is new to DJing. Her RA Podcast is a masterpiece of modern techno building and pacing, dipping into straight-up trance several times in a way that reminds us of Sasha's legendary Global Underground 013: Ibiza mix CD, with an hour of steady tension rewarded with one hell of a melodic payoff. She sounds like she's ready to play at some of the world's best clubs, proof positive you don't need to have the usual backstory to be an excellent DJ. @mariedavidson_official Read more at https://ra.co/podcast/857
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Folge vom 31.10.2022RA.856 KarizmaAs part of RA2122, our ongoing celebration of 21 years of club culture, we'll be featuring some of our favourite DJs from around the world, highlighting the parties or clubs most important to their lives in dance music. Chris Clayton, AKA Karizma, takes DJing seriously. But he also knows that it's about having fun, or at least helping other people to have fun. This is the formula that makes him such a fantastic DJ, and one of the most technically skilled around (he uses CDJs like few others can). He practices two hours every day, and has been DJing since he was 13. For him, there was no specific party or club that made him the DJ he is today—it was the whole Baltimore scene he grew up in. He is the party. His approach is deeply informed with his history in Baltimore, a city with its own vibrant music scene that always taken a different tack than the rest of the major American undergrounds. House, techno, hip-hop, jazz (and of course Baltimore club), there have never been any boundaries for as long as Clayton has been DJing, which makes his DJ sets as musically adventurous as they are technical. This hour-long set is a neatly-packaged example of his genius, leaning on the jazzier side of his sound, featuring plenty of Atjazz records, his own wide-ranging material and killer edits of Rihanna and Kendrick Lamar.