If we were to pick one word to describe Ziggy Devriendt, AKA Nosedrip, it would probably humble. He runs a one-man empire out of the modest Belgian coastal town of Ostend, and his STROOM label is one of the most quietly brilliant outfits in Western Europe. A mixture of obscurer-than-obscure reissues and quirky new material makes for a label as unpredictable as it is essential, and Devriendt's unusual touch is all over it—he prefers to make up his own compilations and sequences instead of just repackaging old records, for example, which explains how important curation and putting songs together is to him.
So it's not a surprise that , in addition to being a music nerd supreme, Devriendt is also a remarkably good DJ, whose ear for oddball cuts translates well into intuitively danceable music. Judging from his RA Podcast, he's had trance on the mind—the mix features flighty beats that range from CJ Bolland and Psychick Warriors Ov Gaia to new-school practitioners like J-Zbel, plus a major highlight from Peter Van Hoesen that you might remember from Marcel Fengler's Berghain 05 mix and plenty of new material from Stroom. (He's also putting out a compilation of Belgian trance, which might explain the direction of this mix.) It's a three hour-ride that varies from jaw-dropping mixing to abrupt, almost shocking transitions that might startle you out of your chair.
@ziggy-devriendt
Read more at https://ra.co/podcast/843
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Folge vom 01.08.2022RA.843 Nosedrip
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Folge vom 25.07.2022RA.842 Fadi MohemImagine growing up near Berlin, getting into dance music, going to Berghain for the first time and getting your mind blown by techno. Then, ten years later, you become a resident DJ at the fabled club. Not many people—any people?—can claim this story, but for Fadi Mohem, what would be so many DJs' dreams became a reality. After getting his 2017 debut 12-inch Reckless in the hands of all the right people in Berlin, Mohem established a bold, bouncy techno sound with releases on Modeselektor's Seilscheibenpfeiler, Ben Klock's Klockworks and FJAAK's SPANDAU20, pretty much the cream of the crop of modern techno. Now, this year, he's becoming one of Berghain's newest residents, alongside other exciting names like Sedef Adasï and Naty Seres (and Lakuti upstairs at Panorama Bar). As heard on his recent collaborative with Ben Klock, Mohem has modern techno down to a science, thanks to a combination of reverence for the old-school and clever rhythmic touches, like the irresistible snare pattern on "Prefix." His RA Podcast sounds like what you might expect from a new generation of Berghain resident: aerodynamic, heavy and, honestly a little midtempo compared to a lot of other young techno DJs. It's the sound the club has made world-famous, with cuts from Reeko, Heiko Laux and Truncate, plus some special moments from aya, DJ Deeon and Petar Dundov. It takes a certain kind of DJ to get to this hallowed place, and Fadi Mohem deserves it. @fadimohem Read more: https://ra.co/podcast/842
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Folge vom 18.07.2022RA.841 Kelly Lee OwensWelsh artist Kelly Lee Owens has a special grasp on techno. She can make it sound wild and naturalistic, like wind blowing through a dense forest, or make it feel cold and sleek, like a gleaming slab of chrome. Either way, though, it's always full of emotion, thanks to the intricate textures and distinctive tones of her voice. You might even say she takes a singer-songwriter approach to techno, but that doesn't mean her music isn't suited for the dance floor. Her most recent album, LP.8, marks a step away from the dance floor, however, and into a place a little more dark, more unpredictable. It's also some of her most gorgeous work, centering around "Anadlu," an eight-minute cut that feels perfectly pitched between ambient and techno, with heavy, lumbering drums but an otherwise lightweight, almost wispy feel. Owens' RA Podcast occupies this zone almost perfectly. Beginning with 11th century music from Hildegard von Bingen, it ties all sorts of traditions together, from Pan Sonic to Throbbing Gristle to Marco Shuttle to Oneohtrix Point Never & Rosalía. It floats, it accelerates, it loops and doubles back in on itself, an hour of gripping electronics from one of techno's most distinctive voices. Read more at https://ra.co/podcast/841
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Folge vom 11.07.2022RA.840 The Lady MachineCamila Milieme has been playing techno long enough to experience a few of its boom-and-bust cycles. Starting off in Brazil in the late '90s with the kind of rippling, tooly techno you'd expect from that era, Milieme lost interest once things started going minimal and took a break from techno to take up studying instead. By the time she checked back in, the genre had taken a turn closer to the stuff she used to play, so she packed up her bags and moved to Berlin, where she's become an indispensable part of the techno scene. As The Lady Machine, Milieme has released on Mote-Evolver and also runs her own label, Unterwegs, with UK producer Decka. As you'll hear on her RA Podcast, she prefers a classicist (yet, still, modern) style of techno that mixes toughness with texture and detail. With plenty of unreleased tracks from her cohort and tracks from British Murder Boys, Jeff Mills, Dave Clark and Christian Wunsch, this is a timeless techno mix for heads from any generation, from the '90s to the '20s. @theladymachine Read more: https://ra.co/podcast/840